Recently, we changed some of the guidelines for the artwork competition of the Sea Art Festival in Busan Biennale 2006. So we are providing you with an updated version of the guidelines. Please check the details below carefully.
It is said that fear is the strongest emotion. Perhaps this is its only universal characteristic, and it is a curious one. As something which stimulates every living organism similarly fear carries infinite responses, often strong opposites: arrogance and timidity, empowerment and immobilization, desecration and reverence. Such polarities lend themselves easily to exploitation experienced with alarming regularity in the politicization of otherwise existential, subjectively defined, and potentially manageable fears.
A Celebration of Sonic and Media Inspirations
Celebrating its sixth year, the Signal & Noise Festival will be presenting a rousing program of video, live sound performance, multi-channel electroacoustic compositions, installation and performance. This year’s theme is: Body, Bodier, Bodiest.: Exercises in Physical Potentials.
The city has always been a site of transformation: of lives, of populations, even of civilizations. With the rise of the mega city, however; with the advent of 24/7 rush hours; with the inexorable conversion of public space into commercial space; with the rise of surveillance; with the computer-assisted precision of redlining; with the viral advance of the xenophobic, the contemporary city is weighted down. We dream of something more. Not something planned and canned, like another confectionary spectacle. Something that can respond to our dreams. Something that will transform with us, not just perform change on us, like an operation.
At the initiative of the Deputy Ministry of Sport, Thessaloniki will play host to the most significant Biennale of artists that links modern art to sport. The aim is to have this event become a cultural and artistic event of prime importance for Europe and the Mediterranean region.
For the 8th consecutive year, zemos98 presents the participation guidelines for the competition for short audiovisual works on video. We have prepared this shorter and simplified version but we strongly recommend that you consult the complete guidelines. We’ve also prepared a short text explaining some of the “why’s” behind this call for entries.
The list of artists for the 9th International Istanbul Biennial has been announced. They are…
Since 2001, UrbanFestival deals with a concept of public, especially that of public space, through its thematic focuses, programme selection, but also through its specific, often experimental, organizational schemes. In the social climate with intensified and hasty privatization of public spaces, namely the common meeting places, atomization of the society and strongly individualized, almost intimate reception of the cultural products, in the era of technological innovations that encourage and stimulate passivity, the crucial point is to reopen and affirm spaces of collective consummation, spaces of greater accessibility, as well as spaces of active participation of broader audience/public.
The Electronic Arts Program at California State University Chico will hold its annual virtual exhibition of net.art in December 2005.
To submit your film, send the following information to the address on our website. Please note these submission guidelines, as your film must meet these guidelines in order to be considered for the interMOCK festival. Also note that no DVD’s can be returned, and DVD submissions will be used for both selection and exhibition.
‘Home Works: A Forum on Cultural Practices’ is one of the premiere international cultural projects hosted in the Middle East. In its last two editions, Home Works has managed to reveal the strength of home-grown expression, affirming the region’s and its Diaspora’s cultural dynamic.
The competition program combines short films of all formats and categories, alternated between them, in order to make it more eclectic and exciting.
The University of Minnesota School of Music is proud to present the 2006 Spark Festival of Electronic Music and Art, February 22-26. The festival will be held on the Minneapolis campus of the University of Minnesota (USA) and at the Walker Center for Art, Minneapolis. Now in its fourth year, the Spark Festival showcases the newest groundbreaking works of digital music and art. Last year’s festival included innovative works by over one hundred international composers and artists, including featured guest artists Philippe Manoury and DJ Spooky. Leading scholars and technology specialists also presented papers relating to new technology and creativity. Audiences for the concerts, installations, and lectures last year totaled approximately 2,000 people.
The second biennial for video art is conceived again as a journey of discovery through the city of Mechelen. It takes the form of a trail passing unique architectural spaces that trigger interaction with the moving image.
The Göteborg International Biennial for Contemporary Art is now opening for the third time. This year’s curator, Sara Arrhenius, has chosen to break with the image of the biennials as broad surveys of a large group of artists. Instead, twelve artists have been given the chance to develop new projects, or to show several works. In order to create a common ground before the exhibition work, she gathered together artists and writers for a seminar in Gothenburg this past spring.
International festival of electronic music and media arts.
At the 4th Tallinn Applied Art Triennial will be exhibited the works of applied art or design that have been specially made relying on the theme of the triennial Two Close Ones.
On the occasion of the 50th anniversary, the Kunsthalle Fridericianum is staging a major jubilee exhibition on the multifaceted history of the documenta. The exhibition 50 Jahre / Years documenta 1955 – 2005, curated by Michael Glasmeier, addresses this sometimes contradictory and erratic history from a present-day perspective, choosing a range of approaches and materials. In an endeavour to present as many aspects as possible, the exhibition is divided into five intersecting and complementary sections: an archival chapter, an art history chapter, a site-specific chapter, a film chapter, and a scholarly chapter. It is not a recollective exhibition. It is about dealing productively with an institution that has the task of reflecting each current present.
The 2nd International Video Reporting Award is an international competition specifically geared towards innovative documentary shorts and non-fiction digital films helmed by a single autonomous author.
The Annual Bremen Award for Video Art is organized by the Filmbuero Bremen.The Curator of the Award 2005 is Marikke Heinz-Hoek, Videoartist from Bremen.
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