Citations

This regularly updated page lists citations to NeMe published, co-published, and contributed on and off line texts. We thank all the authors, editors, and publishers who informed us of the inclusion of our content in books and journals. Please visit our statistiscs page where we provide an interactive interface of our publications through the years.

  1. Richard Brereton, ed. .npj Heritage Science volume 14, Article number: 136, npj Heritage Science, 2026. Cited: Christiane Paul, “Challenges for a Ubiquitous Museum.”
  2. Stephen Bales, ed. Journal of Radical Librarianship, Vol 12, No 1, Radical Librarians Collective, 2026. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  3. Neixé Castellano Llordella. textos: revista d’antropologia i investigació social, No. 1 Extraordinari, Department of Social Anthropology of the University of Barcelona, 2025. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  4. Katarzyna Szakajło. Możliwoci integracji projektów sztuki nowych mediów w procesy odnowy przestrzeni miejskiej, Gdańsk 2025. Cited: Luís Cláudio Ribeiro & Jorge Bruno Ventura, “Lisbon Sound Map.”
  5. Shane Denson. Bride of Frankenstein, Lever Press, 2025. Cited: Marc Garrett, Yiannis Colakides, (Eds), Frankenstein Reanimated: Creation & Technology in the 21st Century.
  6. Seiichiro Matsumura, ed. International Journal of Asia Digital Art and Design, Volume 29 Issue S1, Asia Digital Art and Design Association, 2025. Cited: Shaun Wilson, “The New New: video art in the 21st century.”
  7. Mary Wild. Psychoanalysing Horror Cinema, Routledge, 2025. Cited: Srećko Horvat, “The Future Is Here.”
  8. Karen vanMeenen, ed. Afterimage: The Journal of Media Arts and Cultural Criticism, Volume 52, Issue 2, University of California Press, 2025. Cited: Erkki Huhtamo, “Shaken hands with statues....”
  9. Luca Bombardieri, Lorenzo Calvelli, Luigi Silvano, Mia Gaia Trentin, eds. Studi ciprioti 5, Bombardieri, 2025. Cited: Denise Robinson (Ed), Through the Roadblocks - Realities in Raw Motion.
  10. Karin de Wild, Nadezhda Povroznik, eds. Museums on the Web: Exploring the Past for the Future, Routledge, 2025. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  11. Eugene Vaganov, ed. Journal of Siberian Federal University. Humanities & Social Sciences, 2025 18(3): 628–639, Siberian Federal University, 2025. Cited: Eduardo Kac, “Robotic Art Chronology.”
  12. Eddie Paterson, Lara Stevens. Performing Climates, Routledge, 2025. Cited: Stelarc, “FROM ZOMBIE TO CYBORG BODIES - Extra Ear, Exoskeleton and Avatars.”
  13. Élika Ortega. Binding Media: Hybrid Print-Digital Literature from across the Americas. Stanford University Press, 2025. Cited: Expanded Artists' Books.
  14. Areti (Rita) Panaoura, ed. Social Education Research, 6(1), Universal Wiser, 2025. Cited: Tiffany Holmes, “Environmental Awareness through Eco-visualisation: Combining Art and Technology to Promote Sustainability.”
  15. Roy Ascott, ed. Technoetic Arts: A Journal of Speculative Research (Journal) Volume 22. Issue 2, Intellect, 2025. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  16. David Calder, Broderick Chow, Stephen Greer, Nadine Holdsworth, Bryce Lease, Caridad Svich, Sarah Thomasson, Te Herenga Waka, Anril Pineda Tiatco, eds. Contemporary Theatre Review, 34(4), Taylor & Francis, 2025. Cited: Marc James Léger, “Name Changer.”
  17. Solveig Daugaard, Cecilie Ullerup; Schmidt, Frederik Tygstrup, eds. Infrastructure Aesthetics, De Gruyter, 2024. Cited: Steve Dietz, “Why Have There Been No Great Net Artists?.”
  18. Robert Hassink, Michaela Trippl, eds. Progress in Economic Geography Volume 2, Issue 2, Elsevier Ltd. 2024. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  19. Ronald Kolb, Shwetal A. Patel, Dorothee Richter, eds. OnCurating. Issue 58, OnCurating, 2024 Cited: Gregory Sholette, “DARK MATTER - Activist Art and the Counter-Public Sphere.”
  20. John Roberts. Art and Emancipation, Brill publishing, 2024. Cited: Marc James Léger, ed. The Idea of the Avant Garde, and John Roberts, “'The Newest in What is Oldest': History, Historicism and the Temporality of the Avant-Garde.”
  21. Indira Bailey, ed. Marilyn Zurmuehlen Working Papers in Art Education, Volume 2024, National Art Education Association, 2024. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  22. Liliia Romanivna Gnatiuk, ed. Theory and practice of design, Issue 33, State University «Kyiv Aviation Institute», 2024. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  23. Paul Vanouse. Difference, Sameness and DNA: Investigations in Critical Art and Science, Springer, 2024. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  24. Food and Agriculture Organization of the United Nations. Collaborative change: Towards inclusive rural communication services, FAO, 2024. Cited: Nico Carpentier, ed. Respublika!: Experiments in the Performance of Participation and Democracy.
  25. Christian Ulrik Andersen, Geo Cox, eds. Content/Form, Vol. 13 No. 1 (2024), Digital Aesthetics Research Centre, Aarhus University, 2024. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  26. Ayşe Okudan Mutlu, Pınar Geçkili Karaman, eds. Queere KI: Zum Coming-out smarter Maschinen, transcript, 2023. Cited: Svetlana Boym, “Nostalgic Technology: Notes for an Off-modern Manifesto.”
  27. Barbara Adams, Jilly Traganou, eds. Design and Culture: The Journal of the Design Studies Forum, Volume 15, 2023, Issue 1, Taylor and Francis, 2023. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  28. T. J. Cheng, ed. Taiwan Journal of Democracy, 2023, Vol 19, Issue 1, Taiwan Foundation for Democracy, 2023. Cited: Respublika! Experiments in the Performance of Participation and Democracy.
  29. Komarytskyy M.L., ed. Progressive Research in the Modern World: Proceedings of XII International Scientific and Practical Conference, BoScience Publisher, Boston, 2023. Cited: Michael Haerdter, “The Myth of the Centre.”
  30. Christoph Brunner, Grit Marti Lange, Nate Wessalowski, eds. Technopolitiken der Sorge, transversal texts, 2023. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  31. Fiona Geuß. Das dialogische Kunstwerk: Gesprächsformate in der Kunst nach 1968: Art Workers Coalition, Group Material, New Genre Public Art, transcript, 2023. Cited: Gregory Sholette, “NEWS FROM NOWHERE, Activist Art and After, a Report from New York City.”
  32. Monique Tschofen, Lai-Tze Fan, eds. Imaginations: Journal of Cross-Cultural Image Studies, Volume 14, Number 2, York University, 2023. Cited: Jeremy Hight, “Narrative Archaeology.”
  33. Carmit Wiesslitz, ed. Women’s Activism Online and the Global Struggle for Social Change (Palgrave Studies in Communication for Social Change), Palgrave Macmillan, 2023. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  34. Helmut Girndt, Mikhail Epshtein, Oliver Grau, Heiner Klemme, Ryszard Kluszynski, eds. The Journal of V.N.Karazin Kharkiv National University. Series Theory of Culture and Philosophy of Science, No. 68, 2023. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  35. Amin Samman, Earl Gammo, eds. Clickbait capitalism, Manchester University Press, 2023. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  36. Nikhilesh Tiwari. Feminism: Advancing A Fourth Wave, Horizon Books, 2023. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  37. Víctor Sampedro Blanco. Teorías de la comunicación y el poder: Opinión pública y pseudocracia, Ediciones Akal, 2023. Cited, Nico Carpentier, Respublika!: Experiments in the Performance of Participation and Democracy.
  38. Melanie Swalwell, Helen Stuckey, Cynde Moya, Denise de Vries, eds. Collecting, Curating, Preserving, and Researching Media Arts: A good practice report, 2023. Cited: Christiane Paul, “Challenges for a Ubiquitous Museum.”
  39. Phillip Vannini, ed. The Routledge International Handbook of Sensory Ethnography, Routledge, 2023. Cited: Martin Rieser, “Locative Media and Spatial Narratives.”
  40. Jacob Greene. Composing Place: Digital Rhetorics for a Mobile World, Utah State University Press, 2023. Cited: Jeremy Hight, “Narrative Archaeology.”
  41. Naumkina S. M., ed. Науковий журНал «Політикус», Ministry of Education and Science of Ukraine, 2023. Cited: Michael Haerdter, “The Myth of the Centre.”
  42. Helmut Girndt, Mikhail Epshtein, Oliver Grau, Heiner Klemme, Ryszard Kluszynski, eds. The Journal of V.N.Karazin Kharkiv National University. Series Theory of Culture and Philosophy of Science, No. 68 V.N.Karazin Kharkiv National University, 2023. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. “State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.”
  43. Vasileios N. Delioglanis. Narrating Locative Media, Palgrave Macmillan, 2023. Cited: Jeremy Hight, “Narrative Archaeology.”
  44. Pau Alsina, Andrés Burbano, eds. Artnodes, No. 31, Universitat Oberta de Catalunya, 2023. Cited: Steve Dietz, “Why Have There Been No Great Net Artists?.”
  45. Annapurna Sinha. Community Newspapers in India: Manifestations and Metamorphosis, Routledge, 2023. Cited: Nico Carpentier, ed. Respublika!: Experiments in the Performance of Participation and Democracy.
  46. Eloi Martins Senhoras, ed. BOLETIM DE CONJUNTURA, ano V, vol. 15, n. 44, Plataforma IOLEs e CNPq, 2023. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  47. Marijan Dović, ed. Primerjalna književnost 46.3, Slovenian Society for Comparative Literature, 2023. Cited: Marc James Léger (Ed), The Idea of the Avant Garde: And What It Means Today, 2.
  48. Amin Samman, Earl Gammon, eds. Clickbait capitalism, Manchester University, 2023. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. “State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.”
  49. Paolo Quattrone, Tammar Zilber, eds. Organization Studies, Volume 44, Issue 8, Sage Journals 2023. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  50. Denise Doyle, ed. Virtual Creativity, Intellect, 2023. Cited: Erkki Huhtamo, “Metadesigning for the Future - Gene Youngblood.”
  51. Ayşe Okudan Mutlu, Pınar Geçkili Karaman, eds. Queere KI: Zum Coming-out smarter Maschinen, transcript, 2022. Cited: Svetlana Boym, “Nostalgic Technology: Notes for an Off-modern Manifesto.”
  52. George Alexander and Peter Lyssiotis. Mortal Divide: The Autobiography of Yiorgos Alexandroglou, Giramondo Publishing, 2022. Cited: George Alexander and Peter Lyssiotis, The Dead Travel Fast.
  53. Praxis, Núm. 86 Julio-Diciembre, Universidad Nacional, Campus Omar Dengo, 2022. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  54. Jiré Emine Gözen, ed. Zeitschrift für Medienwissenschaft, Volume 14, Issue 26-1, transcript, 2022. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  55. Владзимирский Антон Вячеславович, ed. Russian Journal of Telemedicine and e-Health, No3, 2022, TeleMed.ru, 2022. Cited: Michael Haerdter, “The Myth of the Centre.”
  56. André Favors, ed. Technoculture, Volume 12, e-space, inc. 2022. Cited: Faith Wilding, “Reprogramming earth.”
  57. Gérald Estadieu, Filipa Martins de Abreu, Carlos Sena Caires, Adérito Fernandes-Marcos, eds. 3rd International Conference on Digital Creation in Arts, Media and Technology: EMERGING EXTENDED REALITIES, ARTeFACTo2022MACAO, 2022. Cited: Respublika! Experiments in the Performance of Participation and Democracy.
  58. Ney Brito Dantas, Walter Franklin Marques Correia III, (Eds) . Fronteiras do design: (bem) além do digital – Vol. 3, Editora Blucher, 2022. Cited: Stelarc, “Suspended Bodies - Uncertain, Anxious and Obsolete.”
  59. Erin E. Lynch. Locative Tourism Applications. A Sensory Ethnography of the Augmented City, Routledge, 2022. Cited: Jeremy Hight, “Immersive Sight Within the Third Space,” and Martin Rieser, “Locative Media and Spatial Narratives.”
  60. Tammy L. Anderson, Ann V. Bell, Asia Friedman, eds. Sociological Forum, Vol 37, Issue 1, Wiley, 2022. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  61. Larry Gross, ed. International Journal of Communication 16, Bournemouth University, 2022. Cited: Nico Carpentier, The art of community media organisations.
  62. Ayşe Okudan Mutlu, Pınar Geçkili Karaman, eds. Mahalle, Bellek ve Dönüşüm: Fikirtepe, Istanbul Ticaret Üniversitesi, 2022. Cited: Pascal Gielen, “Terra - Terror - Territory.”
  63. Lucas Fortunato. Critical art ensemble: a máquina de guerra artística e os arsenais antropotécnicos da revolta, Editora Appris, 2022. Cited: Gregory Sholette, “Disciplining The Avant-Garde, The United States versus The Critical Art Ensemble.”
  64. Ayşe Okudan Mutlu, Pınar Geçkili Karaman, eds. Zeitschrift für Medienwissenschaft, vol. 14, no. 26-1, 2022, transcript, 2022. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  65. Elena Sidorova, ed. Arts: Global Art Market in the Aftermath of COVID-19, MDPI, 2022. Cited: Gregory Sholette, “DARK MATTER - Activist Art and the Counter-Public Sphere.”
  66. Науковий журНал «Політикус» УДК 32.22/28(477.62), Видавничий дім «Гельветика», 2022. Cited: Michael Haerdter “The Myth of the Centre.”
  67. Gadis Arivia, Toeti Heraty Noerhadi-Roosseno, Ratna Syafrida Dhanny, (Eds) Jurnal Perempuan, Vol. 26 no. 3, Yayasan Jurnal Perempuan, 2021. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  68. Sherene Seikaly, ed. The Journal of Palestine Studies, Volume 50, Issue 4, Routledge, 2021. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  69. С.А. Стурейко, ed. CTRL+S. Европейское наследие,, European Humanities University, Centre Of Scientific Publications, 2021. Cited: Maja and Reuben Fowkes, “Unframed Landscapes: Nature in Contemporary Art.”
  70. Éva Forgács, Benedikt Hjartarson, Cecilia Novero, Sami Sjöberg, eds. Journal of Avant-Garde Studies, Volume 1 (2020): Issue 1 (Dec 2021), Brill, 2021. Cited: Marc James Léger (Ed), The Idea of the Avant Garde: And What It Means Today, 2.
  71. Igor E. Klyukanov. Principles of Intercultural Communication, Routledge, 2021. Cited: In Transition: Cultural Identities in the Age of Transnational and Transcultural Flux.
  72. Andrew M. Nedd, ed. Arts 2021, 10, 52, MDPI, 2021. Cited: Gregory Sholette, “DARK MATTER - Activist Art and the Counter-Public Sphere.”
  73. Mona Baker, Bolette B. Blaagaard, Henry Jones, Luis Pérez-González, eds. The Routledge Encyclopedia of Citizen Media, Routledge, 2021. Cited: Nico Carpentier, ed. Respublika! – Experiments in the Performance of Participation and Democracy.
  74. Angela C. Jenks, ed. Teaching and Learning Anthropology Volume 4, Issue 1, UC Irvine, 2021. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  75. Herman Wasserman, ed. African Journalism Studies, Taylor & Francis, 2021. Cited: Nico Carpentier (Ed), Respublika!: Experiments in the Performance of Participation and Democracy.
  76. José Quaresma, ed. Journal of Artistic Research, Creation and Technology Faculdade de Belas-Artes Universidade de Lisboa. Largo da Academia Nacional de Belas-Artes, 2021. Cited: Stelarc, “Suspended Bodies - Uncertain, Anxious and Obsolete.”
  77. Ankhi Mukherjee. Unseen City: The Psychic Lives of the Urban Poor, Cambridge University Press, 2021. Cited: Denise Robinson, ed. Through the Roadblocks: Realities in Raw Motion.
  78. Alessandro Barberi, ed. Medien Impulse, Bd. 59 Nr. 3, Medien Impulse, 2021. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  79. Mykola Zhurba, ed. European philosophical and historical discourse, Volume 7 Issue 3, BEROSTAV DRUŽSTVO, 2021. Cited: Michael Haerdter, “The Myth of the Centre.”
  80. Miriam Rasch, ed. Let’s Get Physical: A Sample of INC Longforms 2015-2020, Institute of Network Cultures, and Campus Creators Publishing, Amsterdam, 2020. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  81. Silvio Lorusso, Pia Pol, Miriam Rasch, eds. Here and Now? Explorations in Urgent Publishing, Institute of Network Cultures, 2020. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  82. Cassie Thornton. The Hologram: Feminist peer-to-peer health for a post-pandemic future, Pluto Press, 2020. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  83. Daniëlle Bruggeman, Jeroen van den Eijnde, Kim Poldner, Anneke Smelik, José Teunissen, eds. APRIA Journal, Volume 3, Number 3, ArtEZ University of the Arts, 2021. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  84. Rebecca L. Stein. Screen Shots: State Violence on Camera in Israel and Palestine, Stanford University Press, 2021. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  85. Dene Grigar, James O’Sullivan, eds. Electronic Literature as Digital Humanities, Bloomsbury Publishing inc, 2021. Cited: Martin Rieser, “Locative Media and Spatial Narratives.”
  86. Erwin Dekker, Pavel Kuchař, eds. Governing Markets as Knowledge Commons (Cambridge Studies on Governing Knowledge Commons), Cambridge University Press, 2021. Cited: Charles Esche, “Collectivity, Modest proposals and Foolish Optimism.”
  87. Hanns Christian Schmidt. Transmediale Topoi: Medienübergreifende Erzählwelten in seriellen Narrativen Büchner-Verlag, 2020. Cited: Svetlana Boym, “Nostalgic Technology: Notes for an Off-modern Manifesto.”
  88. Elizabeth F. Churchill, Mikael U Wiberg, eds. Interactions, Volume 27, Number 1, Association of Computing Machinery, 2020. Cited: Yiannis Colakides, Marc Garrett, Inte Gloerich, eds. State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
    Mario Verdicchio, Miguel Carvalhais, Luísa Ribas, André Rangel, eds. xCoAx 2020: Proceedings of the Eighth Conference on Computation, Communication, Aesthetics & X, Universidade do Porto, 2020. Cited: Svetlana Boym, “Nostalgic Technology: Notes for an Off-modern Manifesto.”
  89. Bertrand Gervais, Sophie Marcotte, eds. Mind the Gap!: Thinking Electronic Literature in a Digital Culture, Les Presses de l’Écureuil, 2020. Cited: Jeremy Hight, “Narrative Archaeology.”
  90. Christine Schranz. Augmented Spaces and Maps: Das Design von kartenbasierten Interfaces, Birkhäuser Verlag GmbH, 2020. Cited: Jeremy Hight, “Narrative Archaeology.”
  91. Ksenia Fedorova. Tactics of Interfacing: Encoding Affect in Art and Technology, MIT, 2020. Cited: Jeremy Hight, “Rhizomatic Cartography: Modulated Mapping and the spatial net“ and “Writing Within the Map.”
  92. Max Haiven. Revenge Capitalism: The Ghosts of Empire, the Demons of Capital, and the Settling of Unpayable Debt, Pluto Press 2020. Mentioned: Yiannis Colakides, Marc Garrett, Inte Gloerich, (Eds), State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art.
  93. Ronald Kolb, Dorothee Richter, eds. OnCurating. Issue 48, OnCurating, 2020. Gregory Sholette, “DARK MATTER - Activist Art and the Counter-Public Sphere.”
  94. Saisa Saisa, Vera Viena, Fanny Nailufar, Ratna Mutia, Fitri Meliya Sari, eds. ICON-ESS 2018, EAI, 2020. Cited: Nico Carpentier, ed. Respublika! – Experiments in the Performance of Participation and Democracy.
  95. Harriet Hawkins. Geography, Art, Research: Artistic Research in the GeoHumanities, Routledge, 2020. Cited: Nico Carpentier (Ed), Respublika! – Experiments in the Performance of Participation and Democracy.
  96. Paul Ade Silva, ed. Journal Academic Marketing Mysticism Online (JAMMO). Vol 10. Part 38, JAMMO, 2019. Cited: “Istanbul Biennial 10: Nightcomers.”
  97. Lucas Bambozzi, Demétrio Portugal., eds. o cinema e seus outros, AVXLab, 2019. Cited: Steve Dietz, “Why Have There Been No Great Net Artists?.”
  98. Phillip Penix-Tadsen, ed. Video Games and the Global South, Carnegie Mellon University: ETC Press, 2019. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  99. Marialva Carlos Barbosa, Sonia Virginia Moreira, (Eds) COMUNICAÇÃO, CONSUMO E CIDADANIA • Intercom, Revista Intercom Bras. Ciênc. Comun. 42 (3), Sociedade Brazileira de Estudos Interdisciplinares da Comunicação (Intercom), 2019. Cited: Nico Carpentier, ed. Respublika!: Experiments in the Performance of Participation and Democracy.
  100. Rasa Smite, Raitis Smits, eds. Virtualities and Realities: New Experiences, Art and Ecologies in Immersive Environments, RIXC, 2019 Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  101. A. Mecit Canatak. Dijital Çağ Türk Edebiyatı ve Medyalararasılık Tartışmaları, Hiperlink Yayınlar, 2019. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  102. Elena Papadaki, ed. Radical Immersions: Navigating Between Virtual / Physical Environments And Information Bubbles, DRHA & University of Greenwich, 2019. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  103. Michał Krawczak, ed. Post-technological Experiences. Art – Science – Culture, Adam Mickiewicz University Press, 2019. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  104. Juyong Park, Juhan Nam, Jin Wan Park, eds. SEA2019 Gwangju – LUX AETERNA Proceedings of the 25th International Symposium on Electronic Art, ISEA international, University of Brighton, 2019. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  105. Julia Sussner, Michael Nitsche, eds. Digital Creativity, Volume 30, Issue 3, Taylor & Francis, 2019. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  106. Priscila Arantes, Vítor J. Sá, Pedro Alves da Veiga, Adérito Fernandes-Marcos, eds. ARTECH 2019: Proceedings of the 9th International Conference on Digital and Interactive Arts, Association for Computing Machinery, New York, NY, United States, 2019. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  107. CONSELHO EDITORIAL SELO ÁGORA21, eds. Teoria e Empiria dos Direitow Humanos, Grupo Multifoco, Brazil, 2019. Cited: Nico Carpentier, ed. Respublika! – Experiments in the Performance of Participation and Democracy.
  108. Pedro Jerónim, ed. Revista Estudos de Jornalismo Número 10, SOPCOM, 2019. Cited: Nico Carpentier, ed. Respublika! – Experiments in the Performance of Participation and Democracy.
  109. Anna Ursyn, ed. Interface Support for Creativity, Productivity, and Expression in Computer Graphics, IGI Global, 2018. CITED: Maja and Reuben Fowkes, “Unframed Landscapes: Nature in Contemporary Art.”
  110. Daniel Cruz, ed. Intersecta: Seminario de Artes Mediales, Departamento de Artes Visuales, Facultad de Artes, Universidad de Chile, 2018. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  111. Giulia Rispoli, Christoph Rosol, eds. Azimuth VI, no. 12, Edizioni di Storia e Letteratura, 2018. Cited: Jeremy Hight, “Writing Within the Map.”
  112. Kathy A. Mills, Amy Stornaiuolo, Anna Smith, Jessica Zacher Pandya, eds. Handbook of Writing, Literacies, and Education in Digital Cultures, Routledge, 2018. Cited: Jeremy Hight, “Narrative Archaeology.”
  113. Camille Alloing, Dominic Duval, Thomas Maxwell, eds. Communiquer; Varia 23, 2018, Département de communication sociale et publique – UQAM, 2018. Cited: Nico Carpentier, ed. Respublika! – Experiments in the Performance of Participation and Democracy.
  114. Piotr Zawojski. Cyberkultura: Syntopia sztuki, nauki i technologii, Wydawnictwo Uniwersytetu Śląskiego, 2018. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  115. John Chilver, Moyra Derby, Kimathi Donkor, Alison Green, Sunil Manghani, David Ryan, Kamini Vellodi, eds. Journal of Contemporary Painting, Volume 4, Number 2, Intellect, 2018. Cited: Areti Leopoulou, “Beneficial Parasites.”
  116. Dimitris Charitos, Martijn de Waal, Penny Travlou, eds. International Journal of Electronic Governance; Vol.10 No.2, Inderscience publishers, 2018. Cited: Denise Robinson, ed. Through the Roadblocks: Realities in Raw Motion.
  117. Noel Castree, ed. Progress in Human Geography, Volume 42 Issue 4, Elsevier Ltd, 2017. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  118. Monika Murzyn-Kupisz, Jarosław Działek, eds. The Impact of Artists on Contemporary Urban Development in Europe, Springer, 2017. Cited: Gregory Sholette, “NEWS FROM NOWHERE, Activist Art and After, a Report from New York City.”
  119. Leszek Sosnowski. The Polish Journal of Aesthetics, Number 47, Jagiellonian University in Krakau, 2017. Cited: In Transition: Cultural Identities in the Age of Transnational and Transcultural Flux.
  120. By Dorota Golańska. Affective Connections: Towards a New Materialist Politics of Sympathy, Rowman & Littlefield Int., 2017. Cited: In Transition: Cultural Identities in the Age of Transnational and Transcultural Flux.
  121. Joan Chiung-huei Chang, ed. Concentric: Literary and Cultural Studies 43.1, National Taiwan Normal University, 2017. Cited: Tiffany Holmes, “Environmental Awareness through Eco-visualisation: Combining Art and Technology to Promote Sustainability.”
  122. Clemens Apprich. Technotopia: A Media Genealogy of Net Cultures, Rowman & Littlefield International Ltd, 2017. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  123. Mary Goodwin, Aaron Deveson, eds. Concentric: The City and the Anthropocene, National Taiwan Normal University, 2017. Cited: Tiffany Holmes, “Environmental Awareness through Eco-visualisation: Combining Art and Technology to Promote Sustainability.”
  124. Martin Roth. Thought-Provoking Play: Political Philosophies In Science Fictional Videogame Spaces From Japan, Carnegie Mellon University: ETC Press, 2017. Cited: McKenzie Wark “Giving is Receiving.”
  125. Oliver Grau, ed. Museum and Archive on the Move, De Gruyter, 2017. Cited: Erkki Huhtamo “Freedom, Control and Confusion in the Art Gallery.”
  126. Phillip Susa Pop, Tanya Toft, Nerea Calvillo, Mark Wright, eds. What Urban Media Art Can Do: Why When Where and How?, Avedition Gmbh, Csi, 2016. Cited: Steve Dietz “Why Have There Been No Great Net Artists?.”
  127. Josh Stenberg. Amanda Rogers, Performing Asian Transnationalisms: Theatre, Identity, and the Geographies of Performance, Routledge, 2016. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  128. TRAMA, 2016. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  129. Piotr Zawojski. Technokultura i jej manifestacje artystyczne. Medialny świat hybryd i hybrydyzacji, Wydawnictwo Uniwersytetu Śląskiego, 2016. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  130. Olli Tapio Leino, ed. ISEA2016 Hong Kong CULTURAL R>EVOLUTION, School of Creative Media, City University of Hong Kong, 2016. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  131. Anna M. Agathangelou, Kyle D. Killian, eds. Time, Temporality and Violence in International Relations: (De) Fatalizing the Present, Forging Radical Alternatives, Routledge, 2016. Cited: Miya Yoshida, “The "Hidden Homeless" in Japan's Contemporary Mobile Culture.”
  132. MIDAS 6, MIDAS, 2016. Cited: Charles Esche, “Collectivity, Modest proposals and Foolish Optimism.”
  133. Questtión Vol. 1, N. 51, Universidat Nacional de la Plata, 2016. Cited: Nico Carpentier Differentiating between access, interaction and participation.
  134. Peter Creed, ed. Australian Journal of Career Development, Volume 25 Issue 3, October 2016, SAGE, 2016. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  135. Ada journal vol. 5, Ada, 2015. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  136. Mabel Burin, Irene Meler, Débora Tajer, Juan Carlos Volnovich. La crisis del patriarcado, Editorial Topia, 2015. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  137. Viento SUR, Número 140 / Junio 2015, Qar Comunicación, SA, 2015. Cited: Gregory Sholette, “Disciplining The Avant-Garde, The United States versus The Critical Art Ensemble.”
  138. Michelle Henning, ed. The International Handbooks of Museum Studies; Museum Media, Wiley-Blackwell, 2015. Cited: Erkki Huhtamo, “Freedom, Control and Confusion in the Art Gallery.”
  139. Yvonne Benschop Raza Mir, ed. Organization Vol. 23 Issue 1, SAGE, 2015. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  140. Marcos Barros, Ghazal Mir Zulfiqar, eds. Organization, 23(5), Sage Journals, 2015. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  141. Rosika Desnoyers, David Tomas, Marc James Léger. Millet Matrix: Contemporary Art, Collaboration, Curatorial Praxis, Dorothee Richter and Michael Birchall, 2015. Marc Cited: Marc James Léger, “Neocolonial Parapraxis.”
  142. Gregory Sholette. Materia oscura: Arte activista y la esfera pública de oposición, aÍ fundación editorial archivos del Índice, 2015. Cited: Gregory Sholette, “DARK MATTER - Activist Art and the Counter-Public Sphere.”
  143. Emina Bošnjak, Saša Gavrić, eds. Feministička čitanja društvenih fenomena, Sarajevski otvoreni centar, 2015. Cited: Faith Wilding, “Knowing Bodies - Feminist issues in health care, medicine, and biotechnology.”
  144. Michael Allan, ed. Comparative Literature; Vol.67 No.1, Duke University Press, 2015. Cited: Michael Filimowicz, “Digital and Analog.”
  145. Michael Hollmann, ed. Diachrone Zugänglichkeit als Prozess, De Gruyter Saur, 2014. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  146. Chandra L. Reedy, ed. Studies in Conservation; Volume 59, Issue 6, Taylor & Francis, 2014. Cited: Christiane Paul, “Challenges for a Ubiquitous Museum.”
  147. Janet Delve, David Anderson, eds. Preserving Complex Digital Objects, Facet Publishing, 2014. Cited: Christiane Paul, “Challenges for a Ubiquitous Museum.”
  148. Marie Meixnerová, ed. #mm net art, PAF, 2014. Cited: Christiane Paul, “Challenges for a Ubiquitous Museum.”
  149. Aristea Fotopoulou, Kate O’Riordan, Alex Juhasz, eds. Ada: A Journal of Gender, New Media, and Technology; Issue no. 5: Queer Feminist Media Praxis, 2014. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  150. Francisco García, Manuel Gertrudix, eds. ICONO14 Vol. 12, No. 2, Scientific Association ICONO 14, 2014. Cited: Erkki Huhtamol, “Trouble at the Interface 2.0.”
  151. James M. Bradburne, ed. Museum Management and Curatorship, Vol. 29 no.4, Taylor & Francis, 2014. Cited: Jette Sandahll, “Negotiating Identities.”
  152. Bergsveinn Þórsson, ed. Nordisk Museologi 2014 • 2, 2014. Cited: Jette Sandahl, “Negotiating Identities.”
  153. Michael Maranda, ed. Raqs Media Collective: Casebook, Art Gallery of York University, 2014 Cited: Svetlana Boym, “Nostalgic Technology: Notes for an Off-modern Manifesto.”
  154. Chris Gibson, ed. Creativity in Peripheral Places: Redefining the Creative Industries, Routledge, 2014. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  155. Alicia Vela, ed. MetaMétodo: Metodologías compartidas en procesos artísticos, Universitat de Barcelona, 2014. Cited: Marina Grzinic, “Abstraction, evacuation of resistance and sensualisation of emptiness.”
  156. Brian Schrank. Avant-garde Videogames: Playing with Technoculture, MIT, 2014. Cited: McKenzie Wark, “Giving is Receiving.”
  157. Richard Baxstrom, Deborah Jackson, Angela McClanahan, Jonathan Murray, eds. Visual Culture in Britain, Volume 14, 2013 – Issue 3: Value Added? Contemporary Art in Recessionary Times, Taylor & Francis, 2013. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  158. Karen O’Rourke. Walking And Mapping, MIT, 2013. Cited: Jeremy Hight, “Rhizomatic Cartography: Modulated Mapping and the spatial net.”
  159. Roger Malina, ed. Leonardo, Vol. 44, No. 4, MIT, 2013. Cited: Jeremy Hight, “Writing Within the Map.”
  160. Jason Farman, ed. The Mobile Story: Narrative Practices with Locative Technologies, Routledge, 2013. Cited: Jeremy Hight, “Narrative Archaeology.”
  161. Baukara 4, Universidad Nacional de Colombia, 2013. Cited: Jette Sandahl, “Negotiating Identities.”
  162. David Scott, ed. Small Axe (2013) 17 (3 (42)), Duke University, 2013. Cited: “3rd Ghetto Biennale 2013.”
  163. Rosemarie Brucher. Subjektermächtigung und Naturunterwerfung, Transcript Verlag, 2013. Cited: Stelarc, “Suspended Bodies - Uncertain, Anxious and Obsolete.”
  164. Bernhard Serexhe, ed. Preservation of Digital Art: Theory and Practice. The project digital art conservation, AMBRA | V and ZKM, 2013. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  165. Kurt Brandle. Exploring the Work of Edward S. Casey: Giving Voice to Place, Memory, and Imagination, Bloomsbury, 2013. Cited: “Leaps of Faith.”
  166. Neala Schleuning. ARTPOLITIK: Social Anarchist Aesthetics in an Age of Fragmentation, Minor Compositions, 2013. Cited: Jesse Cohn, “Anarchism, Representation, and Culture.”
  167. Friedemann Kreuder, Michael Bachmann, Julia Pfahl, Dorothea Volz, eds. Theater und Subjektkonstitution, transcript, 2012. Cited: Stelarc, “FROM ZOMBIE TO CYBORG BODIES - Extra Ear, Exoskeleton and Avatars.”
  168. Radhika Gajjala, Yeon Ju Oh, eds. Cyberfeminism 2.0, Peter Lang Inc. 2012. Cited: Faith Wilding, “Where is Feminism in Cyberfeminism?.”
  169. Richard N. L. Andrews, Jude England, Erik Borg, Myrrh Domingo, Stephen N. Davis, eds. The Sage Handbook of Digital Dissertations and Theses, SAGE, 2012. Cited. Christiane Paul, “Challenges for a Ubiquitous Museum.”
  170. The Preservation of Complex Objects, Volume 2, JISC, 2012. Cited: Christiane Paul, “Challenges for a Ubiquitous Museum.”
  171. Lanfranco Aceti, ed. Leonardo Electronic Almanac, Volume 18, Issue 3: Touch and Go, Leonardo Electronic Almanac, 2012. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  172. Jacob Lund, ed. The Nordic Journal of Aesthetics Vol 23, No 43, The Nordic Society of Aesthetics, 2012. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  173. Christian Isendahl, ed. The Past Ahead: Language, Culture, and Identity in the Neotropics, Uppsala University, 2012. Cited: Jette Sandahl, eds. Negotiating Identities.
  174. Roger Malina, ed. Leonardo, Vol. 46, No. 3, MIT, 2012. Cited: Jeremy Hight, “Writing Within the Map.”
  175. Χριστόφορος Μαρίνος, ed. Το Έργο της Επιμέλειας, ΚΡΙΤΙΚΉ + ΤΈΧΝΗ, Τεύχος 04, AICA Hellas, 2012. Cited: McKenzie Wark, “Post Human? All Too Human.”
  176. Georg Peter, Reuß Markus Krauße, eds. ProtoSociology: China’s Modernization II, Gerhard Preyer, Frankfurt am Main, 2012. Cited: Miya Yoshida, “The "Hidden Homeless" in Japan's Contemporary Mobile Culture.”
  177. Christopher Whitehead, Susannah Eckersley and Rhiannon Mason. Placing Migration in European Museums – Theoretical, Contextual and Methodological Foundations, Mela Books, 2012. Cited: Jette Sandahl, “Negotiating Identities.”
  178. Kurt Brandle. Meaning and Aesthetics in Architecture, Kurt Brandle, 2012. Cited: Andrew Vande Moere, “Form Follows Data.”
  179. Marco Mancuso, ed. Digimag, Digicult, 2012. Cited: Lev Manovich, “Abstraction and Complexity.”
  180. Laurent Dubreuil, ed. Diacritics, Volume 40, Number 3, Fall 2012, Johns Hopkins University Press, 2012. Cited: Gregory Sholette, “Disciplining The Avant-Garde, The United States versus The Critical Art Ensemble.”
  181. Tomas Clancy. Countries of the World: Lao People’s Democratic Republic, CreateSpace Independent Publishing Platform, 2012. Cited: Sheila Pinkel, “Hmong In Transition.”
  182. Roger Malina, ed. Leonardo, Vol. 44, No. 4, MIT, 2011. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  183. TIM ezin, vol. 1, iss. 1, Muni Arts, Masaryk University, 2011. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  184. Jordan J. Copeland, ed. The Projected and Prophetic: Humanity in Cyberculture, Cyberspace, and Science Fiction, Brill, 2011. Cited: Jeremy Hight, “Writing Within the Map.”
  185. Janina Wellmann, ed. Science in Context, Volume 24 – Issue 3, Cambridge University Press, 2011. Cited: Erkki Huhtamo, Shaken hands with statues....
  186. Adriana Muñoz. From Curiosa to World Culture: The History of the Latin American Collections at the Museum of World Culture in Sweden, University of Gothenburg, 2011. Cited: Jette Sandahl, “Negotiating Identities.”
  187. Marco Mancuso, ed. Digimag, Digicult, 2011. Cited: Erkki Huhtamo, “Abstraction and Complexity.”
  188. Kevin Roebuck. Dashboards: High-impact Strategies – What You Need to Know: Definitions, Adoptions, Impact, Benefits, Tebbo, 2011. Cited: Andrew Vande Moere, “Form Follows Data.”
  189. Josephine Bosma. Nettitudes: Let’s Talk Net Art, MNAi Publishers and Institute of Network Cultures, 2011. Cited: Michael Haerdter, “Post Human? All Too Human.”
  190. Jorge La Ferla. Cine (y) digital, MANANTIAL, 2010. Cited: Steve Dietz, “Why Have There Been No Great Net Artists?.”
  191. Julia Sussner, Michael Nitsche, eds. Digital Creativity, Vol. 21, No. 3, Taylor & Francis, 2010. Cited: Gregory Sholette, “NEWS FROM NOWHERE, Activist Art and After, a Report from New York City.”
  192. Jociele Lampert, Silvana Barbosa Macêdo, eds. Arte E Política: Inquietações, Reflexões E Debates Contemporâneos, Florianópolis, 2010. Cited: Tiffany Holmes, “Environmental Awareness through Eco-visualisation: Combining Art and Technology to Promote Sustainability.”
  193. Chris Gibson, ed. Australian Geographer, Vol. 41, No. 1, Taylor & Francis, 2010. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  194. Pierre Poissant, Louise Tremblay, eds. ensemble ailleurs / together elsewhere, P U DE QUEBEC; Esthétique, 2010. Cited: Edward Shanken, “Hot to Bot.”
  195. Nathan J. Jun, Shane Wahl, eds. New Perspectives on Anarchism, Lexington Books; USA, 2010. Cited: Jesse Cohn, “Anarchism, Representation, and Culture.”
  196. Judith Rugg. Exploring site-specific art: issues of space and internationalism, I.B.Tauris & Co Lt, 2010. Cited: Denise Robinson, “Leaps of Faith.”
  197. James Leo Cahill, Akira Mizuta Lippit, eds. Discourse Volume 32, Number 2, Spring 2010, Wayne State University Press, 2010. Cited: Stelarc, “Prosthetic Head: Intelligence, Awareness and Agency.”
  198. Anthony Porczak, ed. Interactive Media Arts, Academy of Fine Arts, Cracow, 2009. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  199. Anthony Porczak, ed. Interactive Media Arts, Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie Kraków, 2009. Cited: Erkki Huhtamo, “Trouble at the Interface 2.0.”
  200. Gisela Welz, Annina Lottermann. Projekte der Europäisierung, Kulturanthropologie Notizen, 2009. Cited: posts from the NeMe forum.
  201. Journal of Undergraduate Research XII, UW-L, 2009. Cited: Shiela Pinkel, “Hmong In Transition.”
  202. Mislav Grgiü, Jelena Božek, Sonja Grgiü, eds. PROCEEDINGS ELMAR-2009: 51st International Symposium ELMAR-2009, University of Zagreb, 2009. Cited: Michael Haerdter, “Remarks on modernity, mobility, nomadism and the arts.”
  203. Simon Penny, ed. Proceedings of the Digital Arts and Culture Conference 2009, University of California Irvine, 2009. Cited: Gregory Sholette, “NEWS FROM NOWHERE, Activist Art and After, a Report from New York City.”
  204. Vojka Smiljanić-Đikić, ed. Sarajevo Notebook magazine, MEDIACENTAR SARAJEVO, 2009. Cited: Michael Haerdter, Remarks on modernity, mobility, nomadism and the arts.
  205. Katerina Kolozova, Žarko Trajanoski, eds. Identities, Journal for Politics, Gender, and Culture Vol. 6/No. 2/3/Summer 2007/Winter 2008. Cited: Marina Grzinic, “Abstraction, evacuation of resistance and sensualisation of emptiness.”
  206. Zeynep Gündüz, Nafiz Aksehirlioglu, eds. amberConference’09: Uncyborgable, BIS, Body-Process Art Association, 2009. Cited: McKenzie Wark, “Giving is Receiving.”
  207. Eugenia Catalina Casillas Arista, Yasmani Santana Colin, Manuel Verduzco Espinosa, Brígida Botello Aceves, Daniela Rico Cudurie, Abraham Carrillo Cabrera, eds. Sinéctica: Revista Electronica de Education no.32 Tlaquepaque ene./jun. 2009, Technological Institute and Higher Education of the West (ITESO), 2009. Cited: Jette Sandahl, “Negotiating Identities.”
  208. Stella Brennan, Su Ballard, eds. The Aotearoa Digital Arts Reader, Clouds, 2008. Cited: Christiane Paul, “Challenges for a Ubiquitous Museum.”
  209. Ulla Carlsson, ed. Nordicom Review 29, Sciendo, 2008. Cited: Mike Sandboth, “Pragmatic Media Philosophy and the Internet.”
  210. Balakrishnan Prabhakaran, ed. IEEE MultiMedia, Volume: 15 no: 3, IEEE, 2008. Cited: Jeremy Hight, “Immersive Sight Within the Third Space.”
  211. Paul Voogt, ed. Can we make a difference? Museums, society and development in North and South, KIT Publishers, 2008. Cited: Jette Sandahl, “Negotiating Identities.”
  212. Sabine Hochrieser, Michael Kargl, Franz Thalmair, eds. Curating media / net / art, Cont3xt, 2007. Cited: Steve Dietz, “Collecting New Media Art: Just Like Anything Else, Only Different.”
  213. Louise Dossing, ed. Nicosia this week: An unofficial guide to the biennial that never was, Veenman Publishers / Gips Stork Werkplaats Typografie; Netherlands, 2007. Cited: posts from the NeMe forum.
  214. Gunnar Schmidt. Ästhetik des Fadens: Zur Medialisierung eines Materials in der Avantgardekunst, transcript, 2007: Cited: Stelarc, “Suspended Bodies - Uncertain, Anxious and Obsolete.”
  215. Katerina Kolozova, Žarko Trajanoski, eds. Identities: Journal for Politics, Gender, and Culture Vol. 6, No. 2,3, Institute of Social Sciences and Humanities, Skopje, 2007. Cited: Marina Grzinic, “Abstraction, evacuation of resistance and sensualisation of emptiness.”
  216. Patricia C. Philips, ed. Art Journal, Vol. 65, No. 3, College Art Association, 2006. Cited: Sean Cubitt, “Analytic Of The Dimensionless, Towards A Prolegomena For Any Future Materialism.”
 
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