Project Anywhere is an expanded exhibition model encompassing the entire globe (and beyond) in which the role of curator is replaced with the type of peer review model typically endorsed by a refereed journal. Emphasizing research undertaken outside conventional exhibition contexts, Project Anywhere is dedicated to the promotion of art at the outermost limits of location-specificity.
With the rise of the Information Age and spread of Internet connectivity, some feminists predicted the end of gender-based inequality online. They envisioned a new – if virtual – era in which the gender barrier could be breached and more egalitarian social relations could be forged. The possibility of a “new body ontology” – a posthuman virtual body – suggested an escape from the limitations of the material body (Conrad 2009), a potential means of liberation from patriarchy, misogyny and other oppressive ideologies.
Media and video artists from all over the world are invited to send videos for the fifth edition of Facade Video Festival that will be held in Plovdiv between 18 and 20 September 2014.
Videonale – Festival for Contemporary Video Art is the international platform for video art and time-based art forms. With VIDEONALE.15 (27/2 – 19/4/2015) the festival will celebrate its 30th anniversary with an exhibition and festival programme in the Kunstmuseum Bonn and the city of Bonn.
The ‘Inhabiting the World’ will be held for 64 days from the 20th of September to the 22nd of November at several venues including Busan Museum of Art, and Busan Cultural Center. The Busan Biennale 2014 will be shaped with a main exhibition, two of special exhibitions, diverse academic programs, international exchange events and participatory events.
GIRAF is looking for Animation submissions, in all styles, genres, lengths, and mediums. Our programs are a strong eclectic mix of animation, representing the best of the medium from Claymation to CG.
The Biennial of Ceramics in Andenne is no accident of history, but a desire to perpetuate an action related to the history of ceramics in the city.
Manifesta was founded in 1993, inspired by the changing European constellation brought about by the fall of the Berlin Wall. In 2013, on the eve of Manifesta’s 20th anniversary, the State Hermitage Museum in St. Petersburg was selected as the host for Manifesta 10 due to its expressed desire to research the notion and function of contemporary art and culture in a contested area.
The Musée de l’Elysée in Lausanne, Switzerland, is launching a new photography prize!
CINESONIKA showcases international works of film and video with fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.
The Parallel Program of Manifesta 10, the European Biennial of Contemporary Art, is organized by Manifesta 10 with the support of the Hermitage XXI century Foundation (St. Petersburg, Russia).
Part of the programme for the 2014-15 season will be entrusted to an independent curator, a critic or a collective whose curatorial project has been chosen by La Box’s selection panel.
Simon Fraser University’s Faculty of Communication, Art & Technology (FCAT) and the School of Interactive Arts and Technology (SIAT) have won the bid to host the prestigious 21st International Symposium on Electronic Art (ISEA) in Vancouver, Canada, August 10-14, 2015.
We are pleased to announce the third International Print Biennale will take place from 27 June to 8 August 2014. The event celebrates the role of print in contemporary practice and is the only event of its kind in the UK.
The 10th Gwangju Biennale: Burning Down the House explores the process of burning and transformation, a cycle of obliteration and renewal witnessed throughout history. Evident in aesthetics, historical events, and an increasingly rapid course of redundancy and renewal in commercial culture, the Biennale reflects on this process of, often violent, events of destruction or self-destruction-burning the home one occupies-followed by the promise of the new and the hope for change.
The exhibition is curated by Jessica Morgan, Artistic Director of the Gwangju Biennale and The Daskalopoulos Curator, International Art, Tate Modern. FatosUstek and Emiliano Valdes are Associate Curators for the Biennale, EnnaBae is Associate Curator for Performance and Teresa Kittler is Assistant Curator.
Videoholica International Video Art Festival in Varna, Bulgaria starts the new open call for video art submissions for its 7th edition.
Since its founding in 1964, the Biennial of Design (BIO) in Ljubljana has surveyed the state of contemporary design from the heart of Central Europe. Witnessing the many shifts and changes the discipline has undergone in the last 50 years, BIO has seen design transition from its birth at the crossroads of industrialization and modernism towards a discipline that permeates all layers of everyday life.
Kunsthalle Exnergasse invites you to submit exhibition proposals for the year 2015. Corresponding exhibition programmes are decided in a 2-step application and review process upon by an advisory board. Submissions for solo exhibitions will not be reviewed. We only accept applications via the Online Application Form.
Questions of identity have generally been associated with a sense of belonging; of belonging to a nation, a community or even an ideology. But, what does it mean to belong? And does it necessarily give a sense of identity? And does it really enable the formation of an identity?
Questions of identity have generally been associated with a sense of belonging; of belonging to a nation, a community or even an ideology. But, what does it mean to belong? And does it necessarily give a sense of identity? And does it really enable the formation of an identity?
