, (accessed September 1, 2009).
Virilio, Paul. The Information Bomb. Translated by Chris Turner. London: Verso, 2000. Notes
- Pier Paolo Pasolini, "‘Il Vuoto del Potere’ ovvero ‘L’Articolo delle Lucciole,’" Corriere della Sera, February 1, 1975, (accessed September 1, 2009). ⇧
- David Drakakis-Smith, The Third World City (London: Routledge, 1987), 25-28. ⇧
- Paul Virilio, The Information Bomb, trans. Chris Turner (London: Verso, 2000), 25. ⇧
- Cesare Medail, "Il ‘mea culpa’ di Giulio: Pasolini Aveva Ragione, Dietro il Potere il Vuoto," Corriere della Sera, March 28, 1993, (accessed September 20, 2009) ⇧
- "Upstairs in the inner sanctum of the White Cube Gallery, in an area reserved for serious buyers away from the prying eyes of the public, I ask a question that sales assistant Richard Thompson finds uncomfortable: did Damien Hirst do anything on this painting except sign it? ‘Well, er, Damien had a huge amount of input,’ he says cagily. But did he physically do anything? Thompson averts his gaze and skilfully changes the subject." David Cohen, "Inside Damien Hirst’s Factory," The Evening Standard, August 30, 2007, (http://www.thisislondon.co.uk/arts/article-23410356-details/Inside+Damien+Hirst's+factory/article.do, accessed September 19, 2009). ⇧
- Jean Baudrillard, Paroxysm: Interviews with Philippe Petit, trans. Chris Turner (London: Verso, 1998), 106. ⇧
- Ibid., 107. ⇧
Credits
Dr. Lanfranco Aceti works as an academic, artist and curator. He is Associate Professor in Contemporary Art and Digital Culture at the Faculty of Arts and Social Sciences, Sabanci University, Istanbul, and Chief Editor of the Leonardo Electronic Almanac. His work has been published in Leonardo and Art Inquiry and his interdisciplinary research focuses on the intersection between digital arts, visual culture and new media technologies.
Dr. Aceti is specialized in inter-semiotic translations between classic media and new media, contemporary digital hybridisation processes, Avant-garde film and new media studies and their practice-based applications in the field of fine arts.
He is also an Honorary Lecturer at the Department of Computer Science, Virtual Reality Environments at University College London. He has exhibited works at the ICA in London and done digital interventions at TATE Modern, The Venice Biennale, MoMA, Neue Nationalgalerie, the ICA and the Irish Museum of Modern Art.
Previously an Honorary Research Fellow at the Slade School of Fine Art, Dr. Aceti has also worked as an AHRC Postdoctoral Research Fellow at Birkbeck College, University of London, School of History of Art, Film & Visual Media and as Visiting Research Fellow at the Victoria and Albert Museum.
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