Founded in 2008 by Dan Cameron, Prospect New Orleans is the largest biennial of international contemporary art in the United States. Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de São Paulo, Prospect New Orleans showcases new artistic practices from around the world and contributes to the revitalization of New Orleans by spurring tourism and bringing international attention to the city’s vibrant visual arts community. Prospect.2, the second iteration of the contemporary art biennial, which is curated by Dan Cameron, will open to the public on November 13, 2010, and will be on view until Sunday, February 13, 2011.

Prospect.2 is organized under the auspices of U.S. Biennial, Inc., a nonprofit organization based in New York with offices in New Orleans. U.S. Biennial, Inc., was launched in January 2007, and its first project was Prospect.1. Read more about Dan Cameron, the founder and curator for both Prospect.1 and Prospect.2, below.


Prospect New Orleans was founded on the principle that the art of our time can play a significant role in the revitalization of an important U.S. city. As it evolves from a first-time biennial in Prospect.1 to a local tradition with each subsequent Prospect New Orleans, the biennial remains committed to building a contemporary art tourism infrastructure upon a signature event that galvanizes local art creation and entrepreneurial activity, while attracting tens of thousands of art lovers to New Orleans on an every-other-year basis.

By assigning social progress and aesthetic criteria nearly equal weight in the making of Prospect.1, which was on view from November to January 2008, the fundamentally educational message that was implicit in that first biennial will receive a similar degree of attention in Prospect.2. This focus continues to be developed as part of the direct, ongoing collaboration with the residents, neighborhoods, and institutions of New Orleans.

In the words of Cameron, “New Orleans has long been an urban wonderland where creative spirits by the thousands came from elsewhere to live and work, and from that starting point, it is becoming transformed into a place where art lovers from around the world can indulge in the city’s natural and cultural beauty, while enjoying some of the most exciting new art being made today. We are working to make Prospect New Orleans a model example of how art can promote social justice and be a catalyst for the revitalization of a historic American city.”

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