This festival is to be screened at Herron School of Art and Design in the Basile Auditorium in conjunction with the photography and video exhibition Between History and Memory. Herron is located on the campus of Indiana University – Purdue University Indianapolis (IUPUI). The screening will take place on Wednesday October 28th, 2009.
The 2010 Bat-Yam Biennale invites projects that examine the city’s “flexible” nature in relation to both infrastructures and resources, offering innovative uses for spaces that are under construction, transforming them into functional, temporal urban spaces.
We are looking for 6 contemporary visual artists to develop project proposals for Nine Trades of Dundee. The criteria is as follows: The artist must be a practicing contemporary artist. The artist must currently also work in another non- arts related trade or industry to economically sustain their practice.
This year, for the seventh time, Zagreb Film Festival will take place in Zagreb, in the premises of Zagreb University Student centre and cinema Europa from 18th to 24th October 2009. Its aim is to make the Croatian public acquainted with new film directors and their first or second films, and to induce creative meetings of international and local film artists and thus to make a positive impact on the development of film production and culture in Croatia.
Cimatics – Brussels International Festival for Live Audiovisual Art & VJing – invites all artists, creatives and producers to send their submissions for the next Cimatics festival.
VIDA 12.0 awards art projects developed with artificial life technologies and related disciplines: robotics, artificial intelligence, etc. Of particular interest are works of art with emerging behaviours, which evolve over time, react with their environment and seem to have a life of their own. Funded by the Fundación Telefónica in Spain, VIDA has given prizes in previous editions to artistic projects created with robots, avatars, recursive chaotic algorithms, knowbots, cellular automata, computer viruses, virtual ecologies that evolve with user interaction, interactive architectures, augmented reality pieces and works that explore the social aspects of A-life.
The Locative Cinema Commission is a joint project of ZER01: The Art and Technology Network, The Banff New Media Institute at The Banff Centre, and the New Frontier program at the Sundance Institute.
At the occasion of the Update III exhibition that is organised as a Biennial event at the Zebrastraat Gent, the Liedts-Meesen Foundation will award for the second time, a work by a living artist distinguishing himself or herself in the field of digital art. This award will consist of a cash purse and a showcase in the Update IV to be held in 2012.
The closing date for the entry of short films (fiction), documentaries (minimum running time 50 min), experimental films and videos and the Development Grant is 10 July. We remind you that films can be entered on-line and entry forms can be downloaded from our website.
We now invite all artists, filmmakers, distributors, producers, gallery owners, universities or institutions to submit latest works and projects to the different sections of the festival.
We keep on talking about “new media,” while in actually fact these media are anything but new. The Net is twenty years old, if we start counting from the advent of the Web, forty if we start from Arpanet. Spacewar!, the first videogame ever, is more or less the same age. Virtual worlds are the updated, lighter versions of a technology acclaimed as “the future” when Second Life programmers were still in diapers; social networks are the bastard sons of Fidonet. As for the computer, it is younger than Lord Byron, but certainly not than his daughter Ada.
To get involved in the Journalist Award 2009, you can submit a journalistic item related to one of the five categories.
ISEA2010 RUHR is the 16th International Symposium on Electronic Art, a major conference and exhibition event for art, media and technology, scheduled for 20-29 August 2010 in the German Ruhr region (Dortmund, Essen, Duisburg, a. o.).
From June 30 to July 5, the 19th “Rencontres Internationales Paris/Berlin/Madrid” will create a space of discovery and reflection between new cinema and contemporary art in Berlin at the Haus der Kulturen der Welt.
ASPECT: The Chronicle of New Media Art, a biannual DVD publication focused on strengthening the field of contemporary new media art through the convergence of artists’ work and commentary by distinguished curators, critics, and historians, has become a pioneer in the emerging area of new media art through distribution and education.
We invite artists from around the world to present projects for the exhibition Projetáveis [Projectables], one of the seven exhibitions in the 7th Mercosur Biennial, to take place at the Santander Cultural in Porto Alegre, Brazil, from October 16 to November 29, 2009.
Increasingly we live in a world which is marked by boundaries and difference. Our actions are categorised and labelled for reference, sign posting and evaluation.
Intervention is the new catchcry of these troubled times and no one is immune whether it be remote indigenous communities, Wall St bankers, tropical forests, the built environment, economies of the state, small gatherings in shopping malls, subliminal advertising, ISPs, online discussion forums or pop cultural sites like YouTube and the Sopranos.
As leading international festivals for art and digital culture as well as adventurous music and related visual arts, respectively, transmediale and CTM (club transmediale) are inviting submissions to the transmediale Award Competition 2010 and the Vilem Flusser Theory Award 2010. Invited are art works, projects and positions that respond to the challenges of our rapidly changing digital, technological and networked cultures.
Leonardo/Olats, partner of the Regional Cultural Centre, Letterkenny, Donegal County, Ireland, is pleased to announce the call for Lovely Weather residencies project related to art and climate change, that will take place in 2009-2010.
Global climate change has far reaching ramifications, the world as we know it will not be the world of 100 or perhaps even 10 years. Armed with a “new” awareness of how our actions impact the environment, how will this effect our ideas of ourselves? Polar Identity challenges us to take on a new perspective, one that can be both pragmatic and optimistic what is the fallout from new trade routes and passage through a once ice-blocked mass. How will these changes affect cartography, international relations, Easternization, religion, communications, etc. The new perspective upends the world, but what does it mean for the Southern hemisphere?
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